Title 18 U.S.C. § 2314 provides criminal penalties for any
person who
"transports in interstate or foreign commerce any goods, wares,
merchandise, securities or money, of the value of $5,000 or more,
knowing the same to have been stolen, converted or taken by
fraud."
Petitioner was convicted in Federal District Court of violating,
inter alia, § 2314, arising from the interstate
transportation of "bootleg" phonorecords that were manufactured and
distributed without the consent of the copyright owners of the
musical compositions performed on the records. The Court of Appeals
affirmed.
Held: Section 2314 does not reach petitioner's conduct.
Pp.
473 U. S.
213-229.
(a) The language of § 2314 does not "plainly and
unmistakably" cover such conduct. The phonorecords in question were
not "stolen, converted or taken by fraud" for purposes of §
2314. The section's language clearly contemplates a physical
identity between the items unlawfully obtained and those eventually
transported, and hence some prior physical taking of the subject
goods. Since the statutorily defined property rights of a copyright
holder have a character distinct from the possessory interest of
the owner of simple "goods, wares, [or] merchandise," interference
with copyright does not easily equate with theft, conversion, or
fraud. The infringer of a copyright does not assume physical
control over the copyright, nor wholly deprive its owner of its
use. Infringement implicates a more complex set of property
interests than does run-of-the-mill theft, conversion, or fraud.
Pp.
473 U. S.
214-218.
(b) The purpose of § 2314 to fill with federal action an
enforcement gap created by limited state jurisdiction over
interstate transportation of stolen property does not apply to
petitioner's conduct. No such need for supplemental federal action
has ever existed with respect to copyright infringement, since
Congress has the power under the Constitution to legislate directly
in this area. Pp.
473 U. S.
218-221.
(c) The history of the criminal infringement provisions of the
Copyright Act indicates that Congress had no intention to reach
copyright infringement when it enacted § 2314. Pp.
473 U. S.
221-226.
(d) To apply § 2314 to petitioner's conduct would support
its extension to significant areas, such as interstate
transportation of patent
Page 473 U. S. 208
infringing goods, that Congress has evidenced no intention to
enter by way of criminal sanction. Pp.
473 U. S.
226-227.
739 F.2d 1445, reversed.
BLACKMUN, J., delivered the opinion of the Court, in which
BRENNAN, MARSHALL, REHNQUIST, STEVENS, and O'CONNOR, JJ., joined.
POWELL, J., filed a dissenting opinion, in which BURGR, C.J., and
WHITE, J., joined,
post, p.
473 U. S.
229.
JUSTICE BLACKMUN delivered the opinion of the Court.
The National Stolen Property Act provides for the imposition of
criminal penalties upon any person who
"transports in interstate or foreign commerce any goods, wares,
merchandise, securities or money, of the value of $5,000 or more,
knowing the same to have been stolen, converted or taken by
fraud."
18 U.S.C. § 2314. In this case, we must determine whether
the statute reaches the interstate transportation of "bootleg"
phonorecords, "stolen, converted or taken by fraud" only in the
sense that they were manufactured and distributed without the
consent of the copyright owners of the musical compositions
performed on the records.
I
After a bench trial in the United States District Court for the
Central District of California conducted largely on the basis of a
stipulated record, petitioner Paul Edmond Dowling was convicted of
one count of conspiracy to transport stolen property in interstate
commerce, in violation of 18 U.S.C.
Page 473 U. S. 209
§ 371; eight counts of interstate transportation of stolen
property, in violation of 18 U.S.C. § 2314; nine counts of
copyright infringement, in violation of 17 U.S.C. § 506(a);
and three counts of mail fraud, in violation of 18 U.S.C. §
1341. [
Footnote 1] The offenses
stemmed from an extensive bootleg record operation involving the
manufacture and distribution by mail of recordings of vocal
performances by Elvis Presley. [
Footnote 2] The
Page 473 U. S. 210
evidence demonstrated that, sometime around 1976, Dowling, to
that time an avid collector of Presley recordings, began in
conjunction with codefendant William Samuel Theaker to manufacture
phonorecords of unreleased Presley recordings. They used material
from a variety of sources, including studio out-takes, acetates,
soundtracks from Presley motion pictures, and tapes of Presley
concerts and television appearances. [
Footnote 3] Until early 1980, Dowling and Theaker had the
records manufactured at a record-pressing company in Burbank,
Page 473 U. S. 211
Cal. When that company later refused to take their orders, they
sought out other record-pressing companies in Los Angeles and,
through codefendant Richard Minor, in Miami, Fla. The bootleg
entrepreneurs never obtained authorization from or paid royalties
to the owners of the copyrights in the musical compositions.
[
Footnote 4]
In the beginning, Dowling, who resided near Baltimore, handled
the "artistic" end of the operation, contributing his knowledge of
the Presley subculture, seeking out and selecting the musical
material, designing the covers and labels, and writing the liner
notes, while Theaker, who lived in Los Angeles and had some
familiarity with the music industry, took care of the business end,
arranging for the record pressings, distributing catalogs, and
filling orders. In early 1979, however, having come to suspect that
the FBI was investigating the west coast operation, Theaker began
making shipments by commercial trucking companies of large
quantities of the albums to Dowling in Maryland. Throughout 1979
and 1980, the venturers did their marketing through Send Service, a
labeling and addressing entity, which distributed at least 50,000
copies of their catalog and advertising flyers to addresses on
mailing lists provided by Theaker and Dowling. Theaker would
collect customers' orders from post office
Page 473 U. S. 212
boxes in Glendale, Cal., and mail them to Dowling in Maryland,
who would fill the orders. The two did a substantial business: the
stipulated testimony establishes that, throughout this period,
Dowling mailed several hundred packages per week and regularly
spent $1,000 per week in postage. The men also had occasion to make
large shipments from Los Angeles to Minor in Miami, who purchased
quantities of their albums for resale through his own channels.
The eight § 2314 counts on which Dowling was convicted
arose out of six shipments of bootleg phonorecords from Los Angeles
to Baltimore and two shipments from Los Angeles to Miami.
See n 1,
supra. The evidence established that each shipment
included thousands of albums, that each album contained
performances of copyrighted musical compositions for the use of
which no licenses had been obtained nor royalties paid, and that
the value of each shipment attributable to copyrighted material
exceeded the statutory minimum.
Dowling appealed from all the convictions save those for
copyright infringement, and the United States Court of Appeals for
the Ninth Circuit affirmed in all respects. 739 F.2d 1445 (1984).
As to the charges under § 2314, the court relied on its
decision in
United States v. Belmont, 715 F.2d 459 (1983),
cert. denied, 465 U.S. 1022 (1984), where it had held that
interstate transportation of videotape cassettes containing
unauthorized copies of copyrighted motion pictures involved stolen
goods within the meaning of the statute. [
Footnote 5] As in
Belmont, the court reasoned
that the rights of copyright owners in their protected property
were indistinguishable from ownership interests in other types of
property, and were equally deserving of protection under the
statute. 739 F.2d at 1450, quoting 715 F.2d at 461-462.
Page 473 U. S. 213
We granted certiorari to resolve an apparent conflict among the
Circuits [
Footnote 6]
concerning the application of the statute to interstate shipments
of bootleg and pirated sound recordings and motion pictures whose
unauthorized distribution infringed valid copyrights. 469 U.S. 1157
(1985).
II
Federal crimes, of course, "are solely creatures of statute."
Liparota v. United States, 471 U.
S. 419,
471 U. S. 424
(1985), citing
United States v.
Hudson, 7 Cranch 32 (1812). Accordingly, when
assessing the reach of a federal criminal statute, we must pay
close heed to language, legislative history, and purpose in order
strictly to determine the scope of the conduct the enactment
forbids. Due respect for the prerogatives of Congress in defining
federal crimes prompts restraint in this area, where we typically
find a "narrow interpretation" appropriate.
See Williams v.
United States, 458 U. S. 279,
458 U. S. 290
(1982). Chief Justice Marshall early observed:
"The rule that penal laws are to be construed strictly is
perhaps not much less old than construction itself. It is founded
on the tenderness of the law for the rights of
Page 473 U. S. 214
individuals, and on the plain principle that the power of
punishment is vested in the legislative, not in the judicial
department. It is the legislature, not the Court, which is to
define a crime and ordain its punishment."
United States v.
Wiltberger, 5 Wheat. 76,
18 U. S. 95
(1820). Thus, the Court has stressed repeatedly that
""
when choice has to be made between two readings of what
conduct Congress has made a crime, it is appropriate, before we
choose the harsher alternative, to require that Congress should
have spoken in language that is clear and definite.'""
Williams v. United States, 458 U.S. at
458 U. S. 290,
quoting
United States v. Bass, 404 U.
S. 336,
404 U. S. 347
(1971), which in turn quotes
United States v. Universal C.I.T.
Credit Corp., 344 U. S. 218,
344 U. S.
221-222 (1952).
A
Applying that prudent rule of construction here, we examine at
the outset the statutory language. Section 2314 requires, first,
that the defendant have transported "goods, wares, [or]
merchandise" in interstate or foreign commerce; second, that those
goods have a value of "$5,000 or more"; and, third, that the
defendant "kno[w] the same to have been stolen, converted or taken
by fraud." Dowling does not contest that he caused the shipment of
goods in interstate commerce, or that the shipments had sufficient
value to meet the monetary requirement. He argues, instead, that
the goods shipped were not "stolen, converted or taken by fraud."
In response, the Government does not suggest that Dowling
wrongfully came by the phonorecords actually shipped or the
physical materials from which they were made; nor does it contend
that the objects that Dowling caused to be shipped, the bootleg
phonorecords, were "the same" as the copyrights in the musical
compositions that he infringed by unauthorized distribution of
Presley performances of those compositions. The Government argues,
however, that the shipments come within the reach of § 2314
because the phonorecords physically
Page 473 U. S. 215
embodied performances of musical compositions that Dowling had
no legal right to distribute. According to the Government, the
unauthorized use of the musical compositions rendered the
phonorecords "stolen, converted or taken by fraud" within the
meaning of the statute. [
Footnote
7] We
Page 473 U. S. 216
must determine, therefore, whether phonorecords that include the
performance of copyrighted musical compositions for the use of
which no authorization has been sought nor royalties paid are
consequently "stolen, converted or taken by fraud" for purposes of
§ 2314. We conclude that they are not.
The courts interpreting § 2314 have never required, of
course, that the items stolen and transported remain in entirely
unaltered form.
See, e.g., United States v. Moore, 571
F.2d 154, 158 (CA3) (counterfeit printed Ticketron tickets "the
same" as stolen blanks from which they were printed),
cert.
denied, 435 U.S. 956 (1978). Nor does it matter that the item
owes a major portion of its value to an intangible component.
See, e.g., United States v. Seagraves, 265 F.2d 876 (CA3
1959) (geophysical maps identifying possible oil deposits);
United States v. Greenwald, 479 F.2d 320 (CA6) (documents
bearing secret chemical formulae),
cert. denied, 414 U.S.
854 (1973). But these cases and others prosecuted under § 2314
have always involved physical "goods, wares, [or] merchandise" that
have themselves been "stolen, converted or taken by fraud." This
basic element comports with the common-sense meaning of the
statutory language: by requiring that the "goods, wares, [or]
merchandise" be "the same" as those "stolen, converted or taken by
fraud," the provision seems clearly to contemplate a physical
identity between the items unlawfully obtained and those eventually
transported, and hence some prior physical taking of the subject
goods.
In contrast, the Government's theory here would make theft,
conversion, or fraud equivalent to wrongful appropriation of
statutorily protected rights in copyright. The copyright owner,
however, holds no ordinary chattel. A copyright, like other
intellectual property, comprises a series of carefully defined and
carefully delimited interests to which the law affords
correspondingly exact protections. "Section 106 of the Copyright
Act confers a bundle of exclusive rights
Page 473 U. S. 217
to the owner of the copyright," which include the rights "to
publish, copy, and distribute the author's work."
Harper &
Row, Publishers, Inc. v. Nation Enterprises, 471 U.
S. 539,
471 U. S.
546-547 (1985).
See 17 U.S.C. § 106.
However, "[t]his protection has never accorded the copyright owner
complete control over all possible uses of his work."
Sony
Corp. v. Universal City Studios, Inc., 464 U.
S. 417,
464 U. S. 432
(1984);
id. at
464 U. S.
462-463 (dissenting opinion). For example, § 107 of
the Copyright Act "codifies the traditional privilege of other
authors to make
fair use' of an earlier writer's work."
Harper & Row, supra, at 471 U. S. 547.
Likewise, § 115 grants compulsory licenses in nondramatic
musical works. Thus, the property rights of a copyright holder have
a character distinct from the possessory interest of the owner of
simple "goods, wares, [or] merchandise," for the copyright holder's
dominion is subjected to precisely defined limits.
It follows that interference with copyright does not easily
equate with theft, conversion, or fraud. The Copyright Act even
employs a separate term of art to define one who misappropriates a
copyright:
"'Anyone who violates any of the exclusive rights of the
copyright owner,' that is, anyone who trespasses into his exclusive
domain by using or authorizing the use of the copyrighted work in
one of the five ways set forth in the statute, 'is an infringer of
the copyright.' [17 U.S.C.] § 501(a)."
Sony Corp., supra, at
464 U. S. 433.
There is no dispute in this case that Dowling's unauthorized
inclusion on his bootleg albums of performances of copyrighted
compositions constituted infringement of those copyrights. It is
less clear, however, that the taking that occurs when an infringer
arrogates the use of another's protected work comfortably fits the
terms associated with physical removal employed by § 2314. The
infringer invades a statutorily defined province guaranteed to the
copyright holder alone. But he does not assume physical control
over the copyright; nor does he wholly deprive its owner of its
use. While one may colloquially link infringement with some general
notion of wrongful
Page 473 U. S. 218
appropriation, infringement plainly implicates a more complex
set of property interests than does run-of-the-mill theft,
conversion, or fraud. As a result, it fits but awkwardly with the
language Congress chose -- "stolen, converted or taken by fraud" --
to describe the sorts of goods whose interstate shipment §
2314 makes criminal. [
Footnote
8]
"And, when interpreting a criminal statute that does not
explicitly reach the conduct in question, we are reluctant to base
an expansive reading on inferences drawn from subjective and
variable 'understandings.'"
Wllliams v. United States, 458 U.S. at
458 U. S.
286.
B
In light of the ill-fitting language, we turn to consider
whether the history and purpose of § 2314 evince a plain
congressional intention to reach interstate shipments of goods
infringing copyrights. Our examination of the background of the
provision makes more acute our reluctance to read § 2314 to
encompass merchandise whose contraband character derives from
copyright infringement.
Congress enacted § 2314 as an extension of the National
Motor Vehicle Theft Act, ch. 89, 41 Stat. 324, currently codified
at 18 U.S.C. § 2312. Passed in 1919, the earlier
Page 473 U. S. 219
Act was an attempt to supplement the efforts of the States to
combat automobile thefts. Particularly in areas close to state
lines, [
Footnote 9] state law
enforcement authorities were seriously hampered by car thieves'
ability to transport stolen vehicles beyond the jurisdiction in
which the theft occurred. [
Footnote 10] Legislating pursuant to its commerce power,
[
Footnote 11] Congress made
unlawful the interstate transportation of stolen vehicles, thereby
filling in the enforcement gap by "strik[ing] down State lines
which serve as barriers to protect [these interstate criminals]
from justice." 58 Cong.Rec. 5476 (1919) (statement of Rep. Newton).
[
Footnote 12]
Congress acted to fill an identical enforcement gap when in 1934
it "extend[ed] the provisions of the National Motor Vehicle Theft
Act to other stolen property" by means of the National Stolen
Property Act. Act of May 22, 1934, 48
Page 473 U. S. 220
Stat. 794.
See S.Rep. No. 538, 73d Cong., 2d Sess., 1
(1934); H.R.Rep. No. 1462, 73d Cong., 2d Sess., 1 (1934);
H.R.Conf.Rep. No. 1599, 73d Cong., 2d Sess., 1, 3 (1934). Again,
Congress acted under its commerce power to assist the States'
efforts to foil the "roving criminal," whose movement across state
lines stymied local law enforcement officials. 78 Cong.Rec. 2947
(1934) (statement of Attorney General Cummings). [
Footnote 13] As with its progenitor,
Congress responded in the National Stolen Property Act to "the need
for federal action" in an area that normally would have been left
to state law.
United States v. Turley, 352 U.
S. 407,
352 U. S. 417
(1957).
No such need for supplemental federal action has ever existed,
however, with respect to copyright infringement, for the obvious
reason that Congress always has had the bestowed authority to
legislate directly in this area. Article I, § 8, cl. 8, of the
Constitution provides that Congress shall have the power
"To promote the Progress of Science and useful Arts, by securing
for limited Times to Authors and Inventors the exclusive Right to
their respective Writings and Discoveries."
By virtue of the explicit constitutional grant, Congress has the
unquestioned authority to penalize directly the distribution of
goods that infringe copyright, whether or not those goods affect
interstate commerce. Given that power, it is
Page 473 U. S. 221
implausible to suppose that Congress intended to combat the
problem of copyright infringement by the circuitous route
hypothesized by the Government.
See United States v.
Smith, 686 F.2d 234, 246 (CA5 1982). Of course, the enactment
of criminal penalties for copyright infringement would not prevent
Congress from choosing as well to criminalize the interstate
shipment of infringing goods. But in dealing with the distribution
of such goods, Congress has never thought it necessary to
distinguish between intrastate and interstate activity. Nor does
any good reason to do so occur to us. In sum, the premise of §
2314 -- the need to fill with federal action an enforcement chasm
created by limited state jurisdiction -- simply does not apply to
the conduct the Government seeks to reach here.
C
The history of copyright infringement provisions affords
additional reason to hesitate before extending § 2314 to cover
the interstate shipments in this case. Not only has Congress
chiefly relied on an array of civil remedies to provide copyright
holders protection against infringement,
see 17 U.S.C.
§§ 502-505, but in exercising its power to render
criminal certain forms of copyright infringement, it has acted with
exceeding caution.
The first full-fledged criminal provisions appeared in the
Copyright Act of 1909, and specified that misdemeanor penalties of
up to one year in jail or a fine between $100 and $1,000, or both,
be imposed upon "any person who willfully and for profit" infringed
a protected copyright. [
Footnote
14] This provision
Page 473 U. S. 222
was little used. In 1974, however, Congress amended the section,
by then 17 U.S.C. § 104 (1976 ed.), by the 1947 revision,
[
Footnote 15] substantially
to increase penalties for record piracy. [
Footnote 16] The new version retained the existing
language, but supplemented it with a new subsection (b), which
provided that one who "willfully and for profit" infringed a
copyright in sound recordings would be subject to a fine of up to
$25,000 or imprisonment for up to one year, or both. 17 U.S.C.
§ 104(b) (1976 ed.). [
Footnote 17] The legislative history demonstrates that,
in increasing the penalties available for this category of
infringement, Congress carefully calibrated the penalty to the
problem: it had come to recognize that "record piracy is so
profitable that ordinary penalties fail to deter prospective
offenders." H.R.Rep. No. 93-1581, p. 4 (1974). Even so, because it
considered record piracy primarily an economic offense, Congress,
after serious consideration, rejected a proposal to increase the
available term of imprisonment to three years for a first offense
and seven years for a subsequent offense.
Ibid.
Page 473 U. S. 223
When, in 1976, after more than 20 years of study, Congress
adopted a comprehensive revision of the Copyright Act,
see
Mills Music, Inc. v. Snyder, 469 U. S. 153,
469 U. S.
159-161 (1985);
Sony Corp., 464 U.S. at
464 U. S.
462-463, n. 9 (dissenting opinion), it again altered the
scope of the criminal infringement actions, albeit cautiously.
Section 101 of the new Act provided:
"Any person who infringes a copyright willfully and for purposes
of commercial advantage or private financial gain shall be fined
not more than $10,000 or imprisoned for not more than one year, or
both:
Provided, however, That any person who infringes
willfully and for purposes of commercial advantage or private
financial gain the copyright in a sound recording afforded by
subsections (1), (2), or (3) of section 106 or the copyright in a
motion picture afforded by subsections (1), (3), or (4) of section
106 shall be fined not more than $25,000 or imprisoned for not more
than one year, or both, for the first such offense and shall be
fined not more than $50,000 or imprisoned for not more than two
years, or both, for any subsequent offense."
17 U.S.C. § 506(a) (1976 ed., Supp. V). Two features of
this provision are noteworthy: first, Congress extended to motion
pictures the enhanced penalties applicable by virtue of prior
§ 104 to infringement of rights in sound recordings; and,
second, Congress recited the infringing uses giving rise to
liability. It is also noteworthy that, despite the urging of
representatives of the film industry,
see Copyright Law
Revision: Hearings on H.R. 2223 before the Subcommittee on Courts,
Civil Liberties, and the Administration of Justice of the House
Committee on the Judiciary, 94th Cong., 1st Sess., 716 (1975)
(statement of Jack Valenti, president of the Motion Picture
Association of America, Inc.), and the initial inclination of the
Senate,
Page 473 U. S. 224
see S.Rep. No. 94-473, p. 146 (1975), Congress declined
once again to provide felony penalties for copyright infringement
involving sound recordings and motion pictures.
Finally, by the Piracy and Counterfeiting Amendments Act of
1982, Pub.L. 97-180, 96 Stat. 91, Congress chose to address the
problem of bootlegging and piracy of records, tapes, and films by
imposing felony penalties on such activities. Section 5 of the 1982
Act revised 17 U.S.C. § 506(a) to provide that
"[a]ny person who infringes a copyright willfully and for
purposes of commercial advantage or private financial gain shall be
punished as provided in section 2319 of title 18."
Section 2319(b)(1), in turn, was then enacted to provide for a
fine of up to $250,000, or imprisonment of up to five years, or
both, if the offense
"involves the reproduction or distribution, during any
one-hundred-and-eighty-day period, of at least one thousand
phonorecords or copies infringing the copyright in one or more
sound recordings [or] at least sixty-five copies infringing the
copyright in one or more motion pictures or other audiovisual
works."
Subsection (b)(2) provides for a similar fine and up to two
years' imprisonment if the offense involves
"more than one hundred but less than one thousand phonorecords
or copies infringing the copyright in one or more sound recordings
[or] more than seven but less than sixty-five copies infringing the
copyright in one or more motion pictures or other audiovisual
works."
And subsection (b)(3) provides for a fine of not more than
$25,000 and up to one year's imprisonment in any other case of
willful infringement. The legislative history indicates that
Congress set out from a belief that the existing misdemeanor
penalties for copyright infringement were simply inadequate to
deter the enormously lucrative activities of large-scale
bootleggers and pirates.
See 128 Cong.Rec. 9158-9159
(1982) (remarks of Rep. Kastenmeier); The Piracy and Counterfeiting
Amendments Act of 1981: Hearings on S. 691 before the Subcommittee
on Criminal Law of the Senate Committee on the Judiciary, 97th
Cong., 1st Sess., 8 (1981) (statement of Renee
Page 473 U. S. 225
L. Szybala, Special Assistant to the Associate Attorney
General). Accordingly, it acted to "strengthen the laws against
record, tape, and film piracy" by "increas[ing] the penalties . . .
for copyright infringements involving such products," thereby
"bring[ing] the penalties for record and film piracy . . . into
line with the enormous profits which are being reaped from such
activities." S.Rep. No. 97-274, pp. 1, 7 (1981). [
Footnote 18]
Thus, the history of the criminal infringement provisions of the
Copyright Act reveals a good deal of care on Congress' part before
subjecting copyright infringement to serious criminal penalties.
First, Congress hesitated long before imposing felony sanctions on
copyright infringers. Second, when it did so, it carefully chose
those areas of infringement that required severe response --
specifically, sound recordings and motion pictures -- and
studiously graded penalties even in those areas of heightened
concern. This step-by-step, carefully considered approach is
consistent with Congress' traditional sensitivity to the special
concerns implicated by the copyright laws.
In stark contrast, the Government's theory of this case
presupposes a congressional decision to bring the felony provisions
of § 2314, which make available the comparatively light fine
of not more than $10,000 but the relatively harsh
Page 473 U. S. 226
term of imprisonment of up to 10 years, to bear on the
distribution of a sufficient quantity of any infringing goods
simply because of the presence here of a factor -- interstate
transportation -- not otherwise thought relevant to copyright law.
The Government thereby presumes congressional adoption of an
indirect but blunderbuss solution to a problem treated with
precision when considered directly. To the contrary, the
discrepancy between the two approaches convinces us that Congress
had no intention to reach copyright infringement when it enacted
§ 2314.
D
The broad consequences of the Government's theory, both in the
field of copyright and in kindred fields of intellectual property
law, provide a final and dispositive factor against reading §
2314 in the manner suggested. For example, in
Harper & Row,
Publishers, Inc. v. Nation Enterprises, 471 U.
S. 539 (1985), this Court very recently held that The
Nation, a weekly magazine of political commentary, had infringed
former President Ford's copyright in the unpublished manuscript of
his memoirs by verbatim excerpting of some 300 words from the work.
It rejected The Nation's argument that the excerpting constituted
fair use. Presented with the facts of that case as a hypothetical
at oral argument in the present litigation, the Government conceded
that its theory of § 2314 would permit prosecution of the
magazine if it transported copies of sufficient value across state
lines. Tr. of Oral Arg. 35. Whatever the wisdom or propriety of The
Nation's decision to publish the excerpts, we would pause, in the
absence of any explicit indication of congressional intention, to
bring such conduct within the purview of a criminal statute making
available serious penalties for the interstate transportation of
goods "stolen, converted or taken by fraud."
Likewise, the field of copyright does not cabin the Government's
theory, which would as easily encompass the law of patents and
other forms of intellectual property. If "the
Page 473 U. S. 227
intangible idea protected by the copyright is effectively made
tangible by its embodiment upon the tapes,"
United States v.
Gottesman, 724 F.2d 1517, 1520 (CA11 1984), phonorecords, or
films shipped in interstate commerce as to render those items
stolen goods for purposes of § 2314, so too would the
intangible idea protected by a patent be made tangible by its
embodiment in an article manufactured in accord with patented
specifications. Thus, as the Government as much as acknowledged at
argument, Tr. of Oral Arg. 29, its view of the statute would
readily permit its application to interstate shipments of
patent-infringing goods. Despite its undoubted power to do so,
however, Congress has not provided criminal penalties for
distribution of goods infringing valid patents. [
Footnote 19] Thus, the rationale supporting
application of the statute under the circumstances of this case
would equally justify its use in wide expanses of the law which
Congress has evidenced no intention to enter by way of criminal
sanction. [
Footnote 20] This
factor militates strongly against the reading proffered by the
Government.
Cf. Williams v. United States, 458 U.S. at
458 U. S.
287.
Page 473 U. S. 228
III
No more than other legislation do criminal statutes take on
straitjackets upon enactment. In sanctioning the use of § 2314
in the manner urged by the Government here, the Courts of Appeals
understandably have sought to utilize an existing and readily
available tool to combat the increasingly serious problem of
bootlegging, piracy, and copyright infringement. Nevertheless, the
deliberation with which Congress over the last decade has addressed
the problem of copyright infringement for profit, as well as the
precision with which it has chosen to apply criminal penalties in
this area, demonstrates anew the wisdom of leaving it to the
legislature to define crime and prescribe penalties. [
Footnote 21] Here, the language of
§ 2314 does not "plainly and unmistakably" cover petitioner
Dowling's conduct,
United States v. Lacher, 134 U.
S. 624,
134 U. S. 628
(1890); the purpose of the provision to fill gaps in state law
enforcement does not couch the problem under attack; and the
rationale employed to apply the statute to
Page 473 U. S. 229
petitioner's conduct would support its extension to significant
bodies of law that Congress gave no indication it intended to
touch. In sum, Congress has not spoken with the requisite clarity.
Invoking the "time-honored interpretive guideline" that
"
ambiguity concerning the ambit of criminal statutes should be
resolved in favor of lenity,'" Liparota v. United States,
471 U.S. at 471 U. S. 427,
quoting Rewis v. United States, 401 U.
S. 808, 401 U. S. 812
(1971), we reverse the judgment of the Court of Appeals.
It is so ordered.
[
Footnote 1]
Only the § 2314 counts concern us here. Counts Two through
Seven of the indictment, referring to the statute, charged:
"On or about the dates listed below and to and from the
locations hereinafter specified, defendants THEAKER and DOWLING
knowingly and willfully caused to be transported in interstate
commerce phonorecords of a value of more than $5,000, containing
Elvis Presley performances of copyrighted musical compositions,
which phonorecords, as the defendants then and there well knew,
were stolen, converted and taken by fraud, in that they were
manufactured without the consent of the copyright proprietors."
App. 6-7. A chart then identified six shipments, each from Los
Angeles County, Cal., to Baltimore, Md. the first dated January 12,
1979, and the last November 8, 1979.
Id. at 7. Counts
Eight and Nine of the indictment referred to § 2314 and
continued:
"On or about the dates listed below and to and from the
locations hereinafter specified, defendants THEAKER, DOWLING and
MINOR knowingly and willfully caused to be transported in
interstate commerce phonorecords of a value of more than $5,000,
containing Elvis Presley performances of copyrighted musical
compositions, which phonorecords, as the defendants then and there
well knew, were stolen, converted and taken by fraud, in that they
were manufactured without the consent of the copyright
proprietors."
Id. at 7-8. A chart then identified two shipments, each
from Los Angeles County, Cal., to Miami, Fla., the first dated
November 8, 1979, and the second June 4, 1979.
Id. at
8.
Dowling's case was severed from that of codefendants William
Samuel Theaker and Richard Minor. Theaker pleaded guilty to six
counts of the indictment. Brief for United States 2, n. 1. Minor
was convicted in a separate trial on all counts naming him, and the
United States Court of Appeals for the Ninth Circuit affirmed in
all respects.
United States v. Minor, 756 F.2d 731
(1985).
[
Footnote 2]
A "bootleg" phonorecord is one which contains an unauthorized
copy of a commercially unreleased performance. As in this case, the
bootleg material may come from various sources. For example, fans
may record concert performances, motion picture soundtracks, or
television appearances. Outsiders may obtain copies of "out-takes,"
those portions of the tapes recorded in the studio but not included
in the "master," that is, the final edited version slated for
release after transcription to phonorecords or commercial tapes. Or
bootleggers may gain possession of an "acetate," which is a
phonorecord cut with a stylus, rather than stamped, capable of
being played only a few times before wearing out, and utilized to
assess how a performance will likely sound on a phonorecord.
Though the terms frequently are used interchangeably, a
"bootleg" record is not the same as a "pirated" one, the latter
being an unauthorized copy of a performance already commercially
released.
[
Footnote 3]
See n 2,
supra. For example, according to the stipulated testimony
of the Presley archivist at RCA Records, which held the exclusive
rights to manufacture and distribute sound recordings of Presley
performances from early in his career through the time of trial in
this case, the "Elvis Presley Dorsey Shows" contained performances
from Presley's appearances on a series of six television shows in
January, February, and March, 1956; "Elvis Presley From the Waist
Up" contained performances from three appearances on "The Ed
Sullivan Show" in September and October, 1956, and January, 1957;
"Plantation Rock" included a version of the title song recorded
from an acetate, which other testimony indicated Dowling had
purchased from the author of the song; "The Legend Lives On"
included material from unreleased master tapes from the RCA Records
inventory; "Rockin' with Elvis New Year's Eve" derived from a
recording by an audience member at a 1976 concert in Pittsburgh;
and "Elvis on Tour" came from the master tape or the film source of
the film of the same name. Stipulation re Testimony of Joan Deary,
2 Record, Doc. No. 109, pp. 24, 25, 35, 37, 40, 44. With the
exceptions of "Plantation Rock" and "Elvis on Tour," quantities of
each of these albums were included in the shipments giving rise to
the § 2314 counts.
[
Footnote 4]
See Stipulation re Copyrights, Royalties and Licenses,
2 Record, Doc. No. 109, pp. 111-125, and Stipulation re Songs on
Albums, 2 Record, Doc. No. 109, pp. 127-145. The Copyright Act
requires record manufacturers to obtain licenses and pay royalties
to copyright holders upon pressing records that contain
performances of copyrighted musical compositions. 17 U.S.C. §
115.
While motion picture copyrights protect the soundtracks of
Presley's movies, Congress did not extend federal copyright
protection to sound recordings until the Sound Recording Act of
1971, Pub.L. 92-140, 85 Stat. 391, and then only to sound
recordings fixed after February 15, 1972.
See Goldstein v.
California, 412 U. S. 546,
412 U. S.
551-552 (1973). Therefore, most of the sound recordings
involved in this case, as opposed to the musical compositions
performed, are apparently not protected by copyright. In any event,
the § 2314 counts rely solely on infringement of copyrights to
musical compositions.
See n 1,
supra.
[
Footnote 5]
See also United States v. Atherton, 561 F.2d 747, 752
(CA9 1977) (motion pictures);
United States v. Drebin, 557
F.2d 1316, 1328 (CA9 1977) (motion pictures),
cert.
denied, 436 U.S. 904 (1978);
United States v. Minor,
756 F.2d 731 (CA9 1985) (sound recordings).
[
Footnote 6]
In
United States v. Smith, 686 F.2d 234 (CA5 1982), the
court held that interstate transportation of unauthorized copies of
copyrighted motion pictures recorded "off the air" during
television broadcasting did not fall within the reach of §
2314. The other courts which have addressed the issue have either
agreed with the Ninth Circuit that interstate transportation of
copies of infringing motion pictures and sound recordings comes
within the statute, or assumed the same.
See United States v.
Drum, 733 F.2d 1503, 1505-1506 (CA11) (sound recordings),
cert. denied, 469 U.S. 1061 (1984);
United States v.
Gottesman, 724 F.2d 1517, 1519-1521 (CA11 1984) (motion
pictures);
United States v. Whetzel, 191 U.S.App.D.C. 184,
187, n. 10, 589 F.2d 707, 710, n. 10 (1978) (sound recordings);
United States v. Berkwitt, 619 F.2d 649, 656-658 (CA7
1980) (sound recordings);
United States v.
Gallant, 570 F.
Supp. 303, 310-314 (SDNY 1983) (sound recordings);
United
States v. Sam Goody, Inc., 506 F.
Supp. 380, 385-391 (EDNY 1981) (sound recordings).
See also
United States v. Steerwell Leisure Corp., 598 F.
Supp. 171, 174 (WDNY 1984) (video games).
[
Footnote 7]
The Government argues in the alternative that, even if the
unauthorized use of copyrighted musical compositions does not,
alone, render the phonorecords contained in these shipments
"stolen, converted or taken by fraud," the record contains evidence
amply establishing that the bootleggers obtained the source
material through illicit means. The Government points to testimony,
for example, that the custodians of the tapes containing the
out-takes which found their way onto Dowling's records neither
authorized their release nor permitted access to them by
unauthorized persons. App. 22-23, 34, 38-39, 42-43, 46. According
to the Government, the wrongfully obtained tapes which contained
the musical material should be considered "the same" as the
phonorecords onto which the sounds were transferred, which were
therefore "stolen, converted or taken by fraud" within the meaning
of § 2314.
Cf. United States v. Bottone, 365 F.2d 389
(CA2),
cert. denied, 385 U.S. 974 (1966).
For several reasons, we decline to consider this alternative
basis for upholding Dowling's convictions. The § 2314 counts
in the indictment were founded exclusively on the allegations that
the shipped phonorecords, which contained "Elvis Presley
performances of copyrighted musical compositions," were "stolen,
converted and taken by fraud, in that they were manufactured
without the consent of the copyright proprietors."
See
n 1,
supra. The
decision of the Court of Appeals does not rely on any theory of
illegal procurement; it rests solely on a holding that
"Dowling's unauthorized sale of phonorecords of copyrighted
material clearly involved 'goods, wares or merchandise' within the
meaning of the statute."
739 F.2d 1445, 1450-1451 (CA9 1984). Moreover, even assuming
that the stipulated testimony contained sufficient evidence to
establish the unlawful procurement of the source material, the
Government made no attempt in the District Court to address the
difficult problems of valuation under its alternative theory. For
example, it introduced no evidence that might have established the
value of the tapes allegedly stolen from the RCA archives, nor how
that value might relate to the value of the goods ultimately
shipped. Instead, its evidence concerning the value of the
interstate shipments of records attempted to isolate the value
attributable to the copyrighted musical compositions. App. 24-33.
Under these circumstances, we assess the validity of Dowling's
convictions only under the allegations made in the indictment.
[
Footnote 8]
The dissent relies on
United States v. Turley,
352 U. S. 407
(1957), and
Morissette v. United States, 342 U.
S. 246 (1952), to give § 2314 a "very broad"
reading.
Post at
473 U. S.
231-232. In
Turley, after considering the
purpose of the National Motor Vehicle Theft Act to combat
interstate transportation of feloniously taken vehicles, the Court
rejected an interpretation of "stolen" which would have limited
that term to common law larceny. 352 U.S. at
352 U. S. 417.
Similarly, in
Morissette, in considering the language of
18 U.S.C. § 641 providing that "[w]hoever embezzles, steals,
purloins, or knowingly converts" Government property be subject to
specified penalties, the Court pointed out that conversion extends
beyond the common law definition of stealing. 342 U.S. at
342 U. S.
271-272. Neither
Turley nor
Morissette
involved copyright law specifically or intellectual property in
general; neither, therefore, sheds light on the particular problems
presented by this case.
See Parts II-B through II-D,
infra.
[
Footnote 9]
See 58 Cong.Rec. 5472 (1919) (statement of Rep.
Reavis);
id. at 5474 (statement of Rep. Bee).
[
Footnote 10]
See id. at 5471 (statement of Rep. Dyer) ("State laws
upon the subject have been inadequate to meet the evil. Thieves
steal automobiles and take them from one State to another and
oft-times have associates in this crime who receive and sell the
stolen machines").
[
Footnote 11]
See, e.g., id. at 5471-5472 (statement of Rep. Dyer);
id. at 54755476 (statement of Rep. Newton).
[
Footnote 12]
This Court has explained:
"By 1919, the law of most States against local theft had
developed so as to include not only common law larceny but
embezzlement, false pretenses, larceny by trick, and other types of
wrongful taking. The advent of the automobile, however, created a
new problem with which the States found it difficult to deal. The
automobile was uniquely suited to felonious taking, whether by
larceny, embezzlement or false pretenses. It was a valuable,
salable article which itself supplied the means for speedy escape.
'The automobile [became] the perfect chattel for modern large-scale
theft.' This challenge could be best met through use of the Federal
Government's jurisdiction over interstate commerce. The need for
federal action increased with the number, distribution and speed of
the motor vehicles until, by 1919, it became a necessity. The
result was the National Motor Vehicle Theft Act."
United States v. Turley, 352 U.S. at
352 U. S.
413-414 (footnote omitted).
[
Footnote 13]
The Attorney General explained:
"These criminals have made full use of the improved methods of
transportation and communication, and have taken advantage of the
limited jurisdiction possessed by State authorities in pursuing
fugitive criminals, and of the want of any central coordinating
agency acting on behalf of all of the States. In pursuing this
class of offenders, almost inevitably breakdown of law enforcement
results from this want of some coordinating and centralized law
enforcement agency. . . . [T]he territorial limitations on [local
law enforcement authorities'] jurisdiction prevent them from
adequately protecting their citizens from this type of
criminal."
78 Cong. Rec. 2947 (1934).
[
Footnote 14]
Act of Mar. 4, 1909, § 28, 35 Stat. 1082. Interestingly,
however, the 1909 Act did not extend criminal liability to
infringement by unauthorized mechanical reproduction of copyrighted
musical compositions subject to compulsory licensing, the category
of infringement underlying the § 2314 counts here.
See § 25(e), 35 Stat. 1081. Congress did not remove
this bar until the Sound Recording Act of 1971, Pub.L. 92-140, 85
Stat. 391, which, while for the first time extending federal
copyright coverage to sound recordings,
see n 4,
supra, also made willful
infringement of copyright in musical compositions subject to the
general criminal provision.
See 85 Stat. 392.
Congress first provided criminal penalties for copyright
infringement in the Act of Jan. 6, 1897, 29 Stat. 481, which made a
misdemeanor, punishable by imprisonment for one year, of the
unlawful performance or presentation, done willfully and for
profit, of a copyrighted dramatic or musical composition.
See
also Act of May 31, 1790, § 2, 1 Stat. 124 (fixed civil
penalties, one-half payable to the United States, for unauthorized
copying of copyrighted book, chart, or map).
See generally
Young, Criminal Copyright Infringement and a Step Beyond, reprinted
in 30 ASCAP Copyright Law Symposium 157 (1983); Gawthrop, An
Inquiry Into Criminal Copyright Infringement, reprinted in 20 ASCAP
Copyright Law Symposium 154 (1972).
[
Footnote 15]
Act of July 30, 1947, ch. 391, 61 Stat. 652.
[
Footnote 16]
Act of Dec. 31, 1974, Pub.L. 93-573, 88 Stat. 1873.
[
Footnote 17]
A second violation subjected the offender to a fine of up to
$50,000 or imprisonment for not more than two years, or both. 17
U.S.C. § 104(b) (1976 ed.).
See H.R.Rep. No. 93-1581,
p. 4 (1974).
[
Footnote 18]
The Act also substantially increased penalties for trafficking
in counterfeit labels affixed to sound recordings, motion pictures,
and other audiovisual works. 18 U.S.C. § 2318.
The dissent suggests that, by providing that the new penalties
"shall be in addition to any other provisions of Title 17 or any
other law," 18 U.S.C. § 2319(a), Congress "implicitly"
approved the interpretation of § 2314 urged by the Government.
Post at
473 U. S. 233.
Neither the text nor the legislative history of either the 1982 Act
or earlier copyright legislation evidences any congressional
awareness, let alone approval, of the use of § 2314 in
prosecutions like the one now before us. In the absence of any such
indication, we decline to read the general language appended to
§ 2319(a) impliedly to validate extension of § 2314 in a
manner otherwise unsupported by its language and purpose.
[
Footnote 19]
Congress instead has relied on provisions affording patent
owners a civil cause of action. 35 U.S.C. §§ 281-294.
Among the available remedies are treble damages for willful
infringement. § 284;
see, e.g., American Safety Table Co.
v. Schreiber, 415 F.2d 373, 378-379 (CA2 1969),
cert.
denied, 396 U.S. 1038 (1970).
See generally 2 P.
Rosenberg, Patent Law Fundamentals § 17.08 (2d ed.1985). The
only criminal provision relating to patents is 18 U.S.C. §
497, which proscribes the forgery, counterfeiting, or false
alteration of letters patent, or the uttering thereof.
See
also 35 U.S.C. § 292 ($500 penalty, one-half to go to
person suing and one-half to the United States, for false marking
of patent status).
[
Footnote 20]
The Government's rationale would also apply to goods infringing
trademark rights. Yet, despite having long and extensively
legislated in this area,
see federal Trademark Act of 1946
(Lanham Act), 15 U.S.C. § 1051
et seq., in the modern
era, Congress only recently has resorted to criminal sanctions to
control trademark infringement.
See Trademark
Counterfeiting Act of 1984, Pub.L. 98-473, ch. XV, 98 Stat. 2178.
See also S.Rep. No. 98-526, pp. 1-2, 5 (1984); 2 J.
McCarthy, Trademarks and Unfair Competition § 30:39 (2d
ed.1984).
[
Footnote 21]
Indeed, in opposing the petition for a writ of certiorari in
this case, the Government acknowledged that it no longer needs
§ 2314 to prosecute and punish serious copyright infringement.
Adverting to the most recent congressional copyright action, it
advised the Court:
"[A]pplication of Section 2314 . . . to the sort of conduct
involved in this case is of considerably diminished significance
since passage, subsequent to the offenses involved in this case, of
the Piracy and Counterfeiting Amendments Act of 1982, Pub.L. No.
97-180, 96 Stat. 91
et seq. (codified at 17 U.S.C. 506(a)
and 18 U.S.C. 2318, 2319). The new statute provides for felony
treatment for most serious cases of copyright infringement
involving sound recordings and audiovisual materials and
trafficking in counterfeit labels, while prior law provided only
for misdemeanor treatment for first offenses under the copyright
statutes. In view of the increased penalties provided under the new
statute, prosecutors are likely to have less occasion to invoke
other criminal statutes in connection with copyright infringing
activity."
Brief in Opposition 8. These observations suggest the conclusion
we have reached -- that § 2314 was not in the first place the
proper means by which to counter the spread of copyright
infringement in sound recordings and motion pictures.
JUSTICE POWELL, with whom THE CHIEF JUSTICE and JUSTICE WHITE
join, dissenting.
The Court holds today that 18 U.S. C § 2314 does not apply
to this case because the rights of a copyright holder are
"different" from the rights of owners of other kinds of property.
The Court does not explain, however, how the differences it
identifies are relevant either under the language of § 2314 or
in terms of the purposes of the statute. Because I believe that the
language of § 2314 fairly covers the interstate transportation
of goods containing unauthorized use of copyrighted material, I
dissent.
Section 2314 provides for criminal penalties against any person
who
"transports in interstate or foreign commerce any goods, wares,
merchandise, securities or money, of the value of $5,000 or more,
knowing the same to have been stolen, converted or taken by
fraud."
There is no dispute that the items Dowling transported in
interstate commerce -- bootleg Elvis Presley records -- are goods,
wares, or merchandise. Nor is there a dispute that the records
contained copyrighted Elvis Presley performances that Dowling had
no right to reproduce and distribute. The only issue here is
whether the unauthorized use of a copyright may be "equate[d] with
theft, conversion, or fraud" for purposes of § 2314.
Ante at
473 U. S. 217.
Virtually every court that has considered the question has
concluded that § 2314 is broad
Page 473 U. S. 230
enough to cover activities such as Dowling's.
See, e.g.,
United States v. Drum, 733 F.2d 1503, 1505-1506 (CA11),
cert. denied, 469 U.S. 1061 (1984);
United States v.
Whetzel, 191 U.S.App.D.C. 184, 187, n. 10, 589 F.2d 707, 710,
n. 10 (1978);
United States v. Berkwitt, 619 F.2d 649,
656-658 (CA7 1980);
United States v. Sam Goody,
Inc., 506 F.
Supp. 380, 385-391 (EDNY 1981). The only case cited by the
Court that lends support to its holding is
United States v.
Smith, 686 F.2d 234 (CA5 1982). [
Footnote 2/1] The Court's decision today is thus
contrary to the clear weight of authority.
The Court focuses on the fact that "[t]he copyright owner . . .
holds no ordinary chattel."
Ante at
473 U. S. 216.
The Court quite correctly notes that a copyright is "comprise[d] .
. . of carefully defined and carefully delimited interests,"
ibid., and that the copyright owner does not enjoy
"
complete control over all possible uses of his work,'"
ante at 473 U. S. 217,
quoting Sony Corp. v. Universal City Studios, Inc.,
464 U. S. 417,
464 U. S. 432
(1984). But among the rights a copyright owner enjoys is the right
to publish, copy, and distribute the copyrighted work. Indeed,
these rights define virtually the entire scope of an owner's rights
in intangible property such as a copyright. Interference with these
rights may be "different" from the physical removal of tangible
objects, but it is not clear why this difference matters under the
terms of § 2314. The statute makes no distinction between
tangible and intangible property. The basic goal of the National
Stolen Property Act, thwarting the interstate transportation of
misappropriated goods, is not served by the judicial imposition of
this distinction. Although the rights of copyright owners
Page 473 U. S. 231
in their property may be more limited than those of owners of
other kinds of property, they are surely "just as deserving of
protection. . . ."
United States v. Drum, supra, at
1506.
The Court concedes that § 2314 has never been interpreted
to require that the goods, wares, or merchandise stolen and
transported in violation of the statute remain in unaltered form.
Ante at
473 U. S. 216.
See also United States v. Bottone, 365 F.2d 389, 393-394
(CA2 1966). It likewise recognizes that the statute is applicable
even when the misappropriated item "owes a major portion of its
value to an intangible component."
Ante at
473 U. S. 216.
The difficulty the Court finds with the application of § 2314
here is in finding a theft, conversion, or fraudulent taking, in
light of the intangible nature of a copyright. But this difficulty,
it seems to me, has more to do with its views on the relative evil
of copyright infringement versus other kinds of thievery, than it
does with interpretation of the statutory language.
The statutory terms at issue here,
i.e., "stolen,
converted or taken by fraud," traditionally have been given broad
scope by the courts. For example, in
United States v.
Turley, 352 U. S. 407
(1957), this Court held that the term "stolen" included all
felonious takings with intent to deprive the owner of the rights
and benefits of ownership, regardless of whether the theft would
constitute larceny at common law.
Id. at
352 U. S. 417.
Similarly, in
Morissette v. United States, 342 U.
S. 246 (1952), the Court stated that conversion
"may be consummated without any intent to keep and without any
wrongful taking, where the initial possession by the converter was
entirely lawful. Conversion may include misuse or abuse of
property. It may reach use in an unauthorized manner or to an
unauthorized extent of property placed in one's custody for limited
use."
Id. at
342 U. S.
271-272.
Dowling's unauthorized duplication and commercial exploitation
of the copyrighted performances were intended to gain for himself
the rights and benefits lawfully reserved to the copyright owner.
Under
Turley, supra, his acts should be
Page 473 U. S. 232
viewed as the theft of these performances. Likewise, Dowling's
acts constitute the unauthorized use of another's property, and are
fairly cognizable as conversion under the Court's definition in
Morissette.
The Court invokes the familiar rule that a criminal statute is
to be construed narrowly. This rule is intended to assure fair
warning to the public,
e.g., United States v. Bass,
404 U. S. 336,
404 U. S. 348
(1971);
McBole v. United States, 283 U. S.
25,
283 U. S. 27
(1931), and is applied when statutory language is ambiguous or
inadequate to put persons on notice of what the legislature has
made a crime.
See, e.g., United States v. Bass, supra; Rewis v.
United States, 401 U. S. 808,
401 U. S. 812
(1971);
Bell v. United States, 349 U. S.
81,
349 U. S. 83
(1955). I disagree not with these principles, but with their
application to this statute. As I read § 2314, it is not
ambiguous, but simply very broad. The statute punishes individuals
who transport goods, wares, or merchandise worth $5,000 or more,
knowing "the same to have been stolen, converted or taken by
fraud." 18 U.S.C. § 2314. As noted above, this Court has given
the terms "stolen" and "converted" broad meaning in the past. The
petitioner could not have had any doubt that he was committing a
theft as well as defrauding the copyright owner. [
Footnote 2/2]
The Court also emphasizes the fact that the copyright laws
contain their own penalties for violation of their terms. But the
fact that particular conduct may violate more than one federal law
does not foreclose the Government from making a choice as to which
of the statutes should be the basis for an indictment.
"This Court has long recognized that, when an act violates more
than one criminal statute, the Government
Page 473 U. S. 233
may prosecute under either so long as it does not discriminate
against any class of defendants."
United States v. Batchelder, 442 U.
S. 114,
442 U. S.
123-124 (1979).
Finally, Congress implicitly has approved the Government's use
of § 2314 to reach conduct like Dowling's. In adopting the
Piracy and Counterfeiting Amendments Act of 1982, Pub.L. 97-180, 96
Stat. 91, Congress provided that the new penalties "shall be in
addition to any other provisions of title 17
or any other
law." 18 U.S.C. § 2319(a) (emphasis added). The Senate
Judiciary Committee specifically added the italicized language to
clarify that the new provision "supplement[s] existing remedies
contained in the copyright law
or any other law." S.Rep.
No. 97-274, p. 2 (1981) (emphasis added). Many courts had used
§ 2314 to reach the shipment of goods containing unauthorized
use of copyrighted material prior to the enactment of the Piracy
and Counterfeiting Amendments Act. By choosing to make its new
felony provisions supplemental, Congress implicitly consented to
continued application of § 2314 to these offenses.
Dowling and his partners "could not have doubted the criminal
nature of their conduct. . . ."
United States v. Bottone,
supra, at 394. His claim that § 2314 does not reach his
clearly unlawful use of copyrighted performances evinces "the sort
of sterile formality" properly rejected by the vast majority of
courts that have considered the question.
United States v.
Belmont, 715 F.2d 459, 462 (CA9 1983),
cert. denied,
465 U.S. 1022 (1984). Accordingly, I dissent.
[
Footnote 2/1]
In \United States v. Drum,\ the Court of Appeals for the
Eleventh Circuit considered and rejected the arguments offered in
\United States v. Smith\ and reiterated by the Court today. I agree
with \Drum\ that neither the language nor purpose of § 2314
supports the view that the statute does not reach the unauthorized
duplication and distribution of copyrighted material.
[
Footnote 2/2]
Indeed, there was stipulated testimony by a former employee of
petitioner's, himself an unindicted coconspirator, that petitioner
and his partner
"were wary of any unusually large record orders, because they
could be charged with an interstate transportation of stolen
property if they shipped more than $5,000 worth of records."
App. A19-A20 (stipulation regarding testimony of Aca "Ace"
Anderson).